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College students have integrated generative AI into their academic routines at an unprecedented scale as 85% report usage for coursework in the past year, according to new Inside Higher Ed survey data. The majority employ AI tools for brainstorming ideas, seeking tutoring assistance, and exam preparation rather than wholesale academic outsourcing. Only 25% admitted using AI to complete assignments entirely, while 19% generated full essays. Students overwhelmingly reject institutional policing approaches, with 53% favoring education on ethical AI use over detection software deployment. Despite widespread adoption, 35% of respondents report no change in their perception of college value, while 23% view their degrees as more valuable in the AI era.

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International tourism to the United States faces an unprecedented 8.2% decline in 2025, with the World Travel and Tourism Council projecting a $12.5 billion loss in visitor spending -- the only decline among 184 economies analyzed. Canadian visitors, traditionally comprising 28% of international arrivals, have dropped by approximately 25% through July. Seattle tour operators report 30-50% fewer Canadian customers with many explicitly citing recent tariff policies and political rhetoric as deterrents. The newly implemented $250 "visa integrity fee" for certain countries compounds existing concerns about immigration policies and National Guard deployments in major cities. Tourism Economics now projects full recovery to pre-pandemic levels won't occur until 2029, three years later than initially forecast.

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An anonymous reader shares a report: Speaking to The Logan Bartlett Show on Friday, Salesforce CEO Marc Benioff said the use of AI agents had enabled him to "rebalance" his headcount in the customer support division by trimming 4,000 jobs. "I've reduced it from 9,000 head to about 5,000 because I need less heads," Benioff said. Benioff called the first eight months of 2025, during which an estimated 10,000 jobs have been lost to AI, "eight of the most exciting months of my career." "There were more than 100 million leads that we have not called back at Salesforce in the last 26 years because we have not had enough people," Benioff said. "We just couldn't call them back. But we now have an agentic sales that is calling back every person that contacts us."

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An anonymous reader shares a report: The European Union will deploy additional satellites in low Earth orbit to strengthen resilience against GPS interferences and will improve capabilities to detect it, EU Defence Commissioner Andrius Kubilius said on Monday. His remarks followed an incident on Sunday in which the GPS system aboard European Commission President Ursula von der Leyen's aircraft was jammed en route to Bulgaria. Bulgarian authorities suspect the jamming was due to due to interference by Russia, an EU spokesperson said.

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The century-old duty-free import exemption that transformed American online shopping has ended, The Atlantic argues, closing a loophole that allowed packages valued under $800 to enter the United States without tariffs. The de minimis threshold, raised from $200 in 2016, processed millions of daily shipments directly from overseas sellers to American consumers. China lost access earlier this year; the exemption now terminates for all countries. Platforms including Shein, Temu, and marketplace sellers on Amazon, Etsy, and eBay built business models around direct shipping from manufacturing hubs in Asia and elsewhere. Import duties will apply to all international packages regardless of value, with tariffs reaching 50% for some countries. The policy shift affects everything from $30 specialty faucet parts shipped from Britain to handmade crafts from India, fundamentally altering the economics of cross-border e-commerce that emerged over the past decade.

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An anonymous reader shares a report: Some Microsoft Azure customers have had a worrying few days after a problematic account migration caused forecast costs for the cloud service to skyrocket, triggering budget alerts. An alarmed Register reader got in touch after receiving warnings from Azure's automated systems that they had significantly exceeded their budgets, and a glance at Microsoft's support forums indicates their issue was not isolated. The problem was that costs had suddenly ramped up. One user, with a budget threshold of $85, received an automated alert indicating that their spend was forecast to reach $1,027. Another said: "We're actively seeing the same issue, costs have blown up by a crazy amount. No official notice or announcement from Microsoft either, it's appalling."

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Americans are having a record low amount of sex -- even less than they did during the Covid-19 pandemic -- according to a new study led by researchers at the Institute for Family Studies. WSJ: This continues the downward shift in sexual activity that has been worrying sociologists and psychologists for decades. For the report, called "The Sex Recession," researchers at the IFS analyzed the data on sex and intimacy in the latest General Social Survey produced by NORC at the University of Chicago, which was collected in 2024 and released in May. They found that just 37% of people age 18-64 reported having sex at least once a week, down from 55% in 1990. The decline is even more striking for young adults: Almost a quarter of people age 18-29, or 24%, said they had not had sex in the past year; this is twice as many as in 2010. Much has been written in recent years about the trend of young people having less sex, attributed to everything from stunted social skills to a rise in internet pornography. Yet the IFS study shows that the same trend holds true for people up to the age of 64, of all sexual orientations, both married and single. (After age 64, there was no significant change in the amount of sex people have, largely because this group reports having sex less frequently to begin with, the researchers said.)

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Waymo robotaxis are repeatedly selecting identical parking spots in front of specific Los Angeles and Arizona homes between rides, puzzling residents who document the same vehicles returning to precise locations daily. The company states its vehicles choose parking based on local regulations, existing vehicle distribution, and proximity to high-demand areas but cannot explain the algorithmic specificity. Carnegie Mellon autonomous vehicle expert Phil Koopman attributes the behavior to machine learning systems optimizing for specific spots without variation. Waymo said it had received neighbor complaints and has designated certain locations as no-parking zones for its fleet. The vehicles comply with three-hour parking limits, according to Los Angeles Department of Transportation regulations, governing commercial passenger vehicles under 22 feet.

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A review of published meta-analyses examining protein supplementation found no evidence supporting intake beyond 1.6 grams per kilogram of body weight daily, according to an analysis by cardiologist Eric Topol. The review examined multiple randomized controlled trials encompassing thousands of participants. The most widely cited Morton study, which included 1,863 participants across 49 trials, showed no statistically significant benefit at higher protein levels, with a p-value of 0.079. Recent research from Washington University identified the essential amino acid leucine as activating mTOR in macrophages, promoting atherosclerosis progression. The mechanism was demonstrated in both mouse models and human studies measuring circulating monocyte changes following acute high-protein challenges increasing dietary protein from 22% to 50% of energy intake. Current USDA data indicates 55% of American men and 35% of women already exceed the 0.8 g/kg/day recommendation from the National Academy of Medicine. The protein supplement industry, exemplified by David bars containing 28 grams of protein in 150 calories using a modified plant fat called EPG, projects $180 million in 2025 sales.

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PC Gamer reports: The Diablo team is the next in line to unionize at Blizzard. Over 450 developers across multiple disciplines have voted to form a union under the Communications Workers of America (CWA), and they're now the fourth major Blizzard team to do so... A wave of unions have formed at Blizzard in the last year, including the World of Warcraft, Overwatch, and Story and Franchise Development teams. Elsewhere at Microsoft, Bethesda, ZeniMax Online Studios and ZeniMax QA testers have also unionized... The CWA says over 3,500 Microsoft workers have now organized to fight for fair compensation, job security, and improved working conditions. CWA is America's largest communications and media labor union, and in a statement, local 9510 president Jason Justice called the successful vote "part of a much larger story about turning the tide in an industry that has long overlooked its labor. Entertainment workers across film, television, music, and now video games are standing together to have a seat at the table. The strength of our movement comes from that solidarity." And CWA local 6215 president Ron Swaggerty said "Each new organizing effort adds momentum to the nationwide movement for video game worker power." "What began as a trickle has turned into an avalanche," writes the gaming news site Aftermath, calling the latest vote "a direct result of the union neutrality deal Microsoft struck with CWA in 2022 when it was facing regulatory scrutiny over its $68.7 billion purchase of Activision Blizzard." We've come a long way since small units at Raven and Blizzard Albany fended off Activision Blizzard's pre-acquisition attempts at union busting in 2022 and 2023, and not a moment too soon: Microsoft's penchant for mass layoffs has cut some teams to the bone and left others warily counting down the days until their heads land on the chopping block. This new union, workers hope, will act as a bulwark... [B]ased on preliminary conversations with prospective members, they can already hazard a few guesses as to what they'll be arm-wrestling management over at the bargaining table: pay equity, AI, crediting, and remote work.

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"Typically when something is available to "buy," ownership of that good or access to that service is offered in exchange for money," writes Ars Technica. "That's not really the case, though, when it comes to digital content." Often, streaming services like Amazon Prime Video offer customers the options to "rent" digital content for a few days or to "buy" it. Some might think that picking "buy" means that they can view the content indefinitely. But these purchases are really just long-term licenses to watch the content for as long as the streaming service has the right to distribute it — which could be for years, months, or days after the transaction. A lawsuit recently filed against Prime Video challenges this practice and accuses the streaming service of misleading customers by labeling long-term rentals as purchases. The conclusion of the case could have implications for how streaming services frame digital content... [The plaintiff's] complaint stands a better chance due to a California law that took effect in January banning the selling of a "digital good to a purchaser with the terms 'buy,' 'purchase,' or any other term which a reasonable person would understand to confer an unrestricted ownership interest in the digital good, or alongside an option for a time-limited rental." There are some instances where the law allows digital content providers to use words like "buy." One example is if, at the time of transaction, the seller receives acknowledgement from the customer that the customer is receiving a license to access the digital content; that they received a complete list of the license's conditions; and that they know that access to the digital content may be "unilaterally revoked...." The case is likely to hinge on whether or not fine print and lengthy terms of use are appropriate and sufficient communication. [The plaintiff]'s complaint acknowledges that Prime Video shows relevant fine print below its "buy" buttons but says that the notice is "far below the 'buy movie' button, buried at the very bottom" of the page and is not visible until "the very last stage of the transaction," after a user has already clicked "buy." Amazon is sure to argue that "If plaintiff didn't want to read her contract, including the small print, that's on her," says consumer attorney Danny Karon. But he tells Ars Technica "I like plaintiff's chances. A normal consumer, after whom the California statute at issue is fashioned, would consider 'buy' or 'purchase' to involve a permanent transaction, not a mere rental... If the facts are as plaintiff alleges, Amazon's behavior would likely constitute a breach of contract or statutory fraud."

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"I have no musical talent at all," says Oliver McCann. "I can't sing, I can't play instruments, and I have no musical background at all!" But the Associated Press describes 37-year-old McCann as a British "AI music creator" — and last month McCann signed with an independent record label "after one of his tracks racked up 3 million streams, in what's billed as the first time a music label has inked a contract with an AI music creator." McCann is an example of how ChatGPT-style AI song generation tools like Suno and Udio have spawned a wave of synthetic music, a movement most notably highlighted by a fictitious group, Velvet Sundown, that went viral even though all its songs, lyrics and album art were created by AI. Experts say generative AI is set to transform the music world. However, there are scant details, so far, on how it's impacting the $29.6 billion global recorded music market, which includes about $20 billion from streaming. The most reliable figures come from music streaming service Deezer, which estimates that 18% of songs uploaded to its platform every day are purely AI generated, though they only account for a tiny amount of total streams, hinting that few people are actually listening. Other, bigger streaming platforms like Spotify haven't released any figures on AI music... "It's a total boom. It's a tsunami," said Josh Antonuccio, director of Ohio University's School of Media Arts and Studies. The amount of AI generated music "is just going to only exponentially increase" as young people grow up with AI and become more comfortable with it, he said. [Antonuccio says later the cost of making a hit record "just keeps winnowing down from a major studio to a laptop to a bedroom. And now it's like a text prompt — several text prompts." Though there's a lack of legal clarity over copyright issues.] Generative AI, with its ability to spit out seemingly unique content, has divided the music world, with musicians and industry groups complaining that recorded works are being exploited to train AI models that power song generation tools... Three major record companies, Sony Music Entertainment, Universal Music Group and Warner Records, filed lawsuits last year against Suno and Udio for copyright infringement. In June, the two sides also reportedly entered negotiations that could go beyond settling the lawsuits and set rules for how artists are paid when AI is used to remix their songs. GEMA, a German royalty collection society, has sued Suno, accusing it of generating music similar to songs like "Mambo No. 5" by Lou Bega and "Forever Young" by Alphaville. More than 1,000 musicians, including Kate Bush, Annie Lennox and Damon Albarn, released a silent album to protest proposed changes to U.K. laws on AI they fear would erode their creative control. Meanwhile, other artists, such as will.i.am, Timbaland and Imogen Heap, have embraced the technology. Some users say the debate is just a rehash of old arguments about once-new technology that eventually became widely used, such as AutoTune, drum machines and synthesizers.

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"Nearly 400 students, many of them entrepreneurs, have so far made the journey to Forest City to study everything from coding to unconventional theories on statehood," reports Bloomberg. "They're building crypto projects, fine-tuning their physiques and testing whether a shared ideology — rather than just shared territory — can bind a community." They have descended on Forest City to attend Network School, the brainchild of former Coinbase Inc. executive and "The Network State" author Balaji Srinivasan. In this troubled megaproject once envisaged to house some 50 times its current population, they're conducting a real-life experiment of sorts with Srinivasan's vision of "startup societies" defined less by historical territory than shared beliefs in technology, cryptocurrency and light regulation... Mornings are spent in product sprints and coding sessions; afternoons in seminars exploring topics from the Meiji Restoration to Singapore's statecraft and the mechanics of decentralized governance. Guest lectures double as both technological deep dives and ideological sermons, according to half a dozen students interviewed by Bloomberg. The campus also mirrors Silicon Valley's infatuation with longevity and health, right down to a commercial-grade gym and specially designed workout routines. Students follow a protein-heavy diet... After co-founding DNA testing startup Counsyl in 2008 and serving as its chief technology officer, Srinivasan spent five years at venture capital firm Andreessen Horowitz, first as general partner and then as board partner. He joined Coinbase as CTO in 2018 when the crypto exchange bought a portfolio company he oversaw and left after a little over a year, according to his LinkedIn profile. In a 2013 speech at Y Combinator's Startup School, Srinivasan brought his ideas about what he saw as a fundamental conflict between some modern nation-states and innovation to a wider audience. In the address, he advocated for Silicon Valley's "ultimate exit" from the U.S., which he argued was obsolete and hostile to innovators. In essence: If the society you live in is broken, why not just "opt out" and create a new one? "The Network State: How To Start a New Country," published in 2022, expanded on Srinivasan's "exit" concept to outline how online, ideologically aligned communities can use crypto and digital tools to form new, decentralized states. A network state can be geographically dispersed and bound together by the internet and blockchains, he says, and the aim is to gain diplomatic recognition... On the Moment of Zen podcast in September 2023, he outlined how the "Gray Tribe" — entrepreneurs, innovators and thinkers — can retake control of San Francisco from the Blues using a variety of tactics, like allying with local police. The effort would involve gaining control of territory, according to Srinivasan, who didn't advocate for violence. "Elections are just the cherry on the cake," he said. "Elections are just a reflection of your total control of the streets." The cost of attending Network School "starts at $1,500 per month, including lodging and food, for those who opt for a shared room."

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Futurism reports: Earlier this week, buried in the middle of a lengthy blog post addressing ChatGPT's propensity for severe mental health harms, OpenAI admitted that it's scanning users' conversations and reporting to police any interactions that a human reviewer deems sufficiently threatening. "When we detect users who are planning to harm others, we route their conversations to specialized pipelines where they are reviewed by a small team trained on our usage policies and who are authorized to take action, including banning accounts," it wrote. "If human reviewers determine that a case involves an imminent threat of serious physical harm to others, we may refer it to law enforcement." The announcement raised immediate questions. Don't human moderators judging tone, for instance, undercut the entire premise of an AI system that its creators say can solve broad, complex problems? How is OpenAI even figuring out users' precise locations in order to provide them to emergency responders? How is it protecting against abuse by so-called swatters, who could pretend to be someone else and then make violent threats to ChatGPT in order to get their targets raided by the cops...? The admission also seems to contradict remarks by OpenAI CEO Sam Altman, who recently called for privacy akin to a "therapist or a lawyer or a doctor" for users talking to ChatGPT. "Others argued that the AI industry is hastily pushing poorly-understood products to market, using real people as guinea pigs, and adopting increasingly haphazard solutions to real-world problems as they arise..." Thanks to long-time Slashdot reader schwit1 for sharing the news.

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Graphic designer Lisa Carstens "spends a good portion of her day working with startups and individual clients looking to fix their botched attempts at AI-generated logos," reports NBC News: Such gigs are part of a new category of work spawned by the generative AI boom that threatened to displace creative jobs across the board: Anyone can now write blog posts, produce a graphic or code an app with a few text prompts, but AI-generated content rarely makes for a satisfactory final product on its own... Fixing AI's mistakes is not their ideal line of work, many freelancers say, as it tends to pay less than traditional gigs in their area of expertise. But some say it's what helps pay the bills.... As companies struggle to figure out their approach to AI, recent data provided to NBC News from freelance job platforms Upwork, Freelancer and Fiverr also suggest that demand for various types of creative work surged this year, and that clients are increasingly looking for humans who can work alongside AI technologies without relying on or rejecting them entirely. Data from Upwork found that although AI is already automating lower-skilled and repetitive tasks, the platform is seeing growing demand for more complex work such as content strategy or creative art direction. And over the past six months, Fiverr said it has seen a 250% boost in demand for niche tasks across web design and book illustration, from "watercolor children story book illustration" to "Shopify website design." Similarly, Freelancer saw a surge in demand this year for humans in writing, branding, design and video production, including requests for emotionally engaging content like "heartfelt speeches...." The low pay from clients who have already cheaped out on AI tools has affected gig workers across industries, including more technical ones like coding. For India-based web and app developer Harsh Kumar, many of his clients say they had already invested much of their budget in "vibe coding" tools that couldn't deliver the results they wanted. But others, he said, are realizing that shelling out for a human developer is worth the headaches saved from trying to get an AI assistant to fix its own "crappy code." Kumar said his clients often bring him vibe-coded websites or apps that resulted in unstable or wholly unusable systems. "Even outside of any obvious mistakes made by AI tools, some artists say their clients simply want a human touch to distinguish themselves from the growing pool of AI-generated content online..."

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The Washington Post covers "a string of false reports of active shooters at a dozen U.S. universities this month as students returned to campus." The FBI is investigating the incidents, according to a spokesperson who declined to specify the nature of the probe. While universities have proved a popular swatting target, the agency "is seeing an increase in swatting events across the country," the FBI spokesperson said... Local officials are frustrated by the anonymous calls tying up first responders, straining public safety budgets and needlessly traumatizing college students who grew up in an era in which gun violence has in some way shaped their school experience... The recent string of swattings began Thursday with a false report to the University of Tennessee at Chattanooga, quickly followed by one about Villanova University later that day. Hoaxes at 10 more schools followed... Villanova also received a second threat. As the calls about shootings came in, officials on many of the campuses pushed out emergency notifications directing students and employees to shelter in place, while police investigated what turned out to be false reports. (Iowa State was able to verify the lack of a threat before a campuswide alert was sent, its police chief said. [They had a live video feed from the location the caller claimed to be from.]) In at least three cases, 911 calls reporting a shooting purported to come from campus libraries, where the sound of gunshots could be heard over the phone, officials told The Washington Post... Although false bomb reports, shooter threats and swatting incidents are not new, bad actors used to be more easily traceable through landline phones. But the era of internet-based services, virtual private networks, and anonymous text and chat tools has made unmasking hoax callers far more challenging... In 2023, a Post investigation found that more than 500 schools across the United States were subject to a coordinated swatting effort that may have had origins abroad... [In Chattanooga, Tennessee last week] a dispatcher heard gunfire during a call reporting an on-campus shooting. "We grabbed everybody that wasn't already out on the street and got to that location," said University of Tennessee at Chattanooga Police spokesman Brett Fuchs. About 150 officers from several agencies responded. There was no shooter. The New York Times reports that an online group called "Purgatory" is "suspected of being connected to several of the episodes, including reports of shootings, according to cybersecurity experts, law enforcement agencies and the group members' own posts in a social media chat." (Though the Times, couldn't verify the group's claims.) Federal authorities previously connected the same network to a series of bomb scares and bogus shooting reports in early 2024, for which three men pleaded guilty this year... Bragging about its recent activities, Purgatory said that it could arrange more swatting episodes for a fee. USA Today tries to quantify the reach of swatting: Estimated swatting incidents jumped from 400 in 2011 to more than 1,000 in 2019, according to the Anti-Defamation League, which cited a former FBI agent whose expertise is in swatting. From January 2023 to June 2024 alone, more than 800 instances of swatting were recorded at U.S. elementary, middle and high schools, according to the K-12 School Shootings Database, created by a University of Central Florida doctoral student in response to the Parkland High School shooting in 2018.tise is in swatting... David Riedman, a data scientist and creator of the K-12 School Shooting Database, estimates that in 2023, it cost $82,300,000 for police to respond to false threats. Thanks to long-time Slashdot reader schwit1 for sharing the news.

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In 2017 Rick Beato streamed "Rick's Rant Episode 2" — and just received a copyright claim this month. Days after jazz pianist Chick Corea died in 2021, Beato livestreamed a half-hour video which was mostly commentary, but with several excerpts from Corea's albums (at least one more than three minutes long). He also received a copyright claim for that one this August — just minutes after the claim on his 2017 video. These videos "are all fair use," Beato argues in a new video, noting it's also affected other popular YouTube channels like The Professor of Rock: Rick Beato: Universal Music Group [UMG] has continued to send emails about copyright content ID claims — and now copyright strikes — on my channel. As a matter of fact, I have three shorts — these are under a minute long — that if they go through in the next four days, I'll have three strikes on my channel! Now if you don't fight these things, those three strikes would actually remove my channel from YouTube. Five months ago Rick Beato had posted a clip from his interview with singer-songwriter Adam Duritz (founder of The Counting Crows) on YouTube. After 250,000 views, he'd earned a whopping $36.52 — and then Universal Music Group also claimed that video violated their copyright. (In the background the video played Duritz's song as he described how he wrote it.) "So they're gonna take my channel down over less than a hundred bucks — for using a small segment from an interview with him, on a song he sang on," Beato complained on YouTube. "That video is 55 seconds long!" "You need to play people's music to talk about it," Beato argues. "That is the definition of fair use. These are interviews with the people about their careers." (And the interviews actually help promote the artists for the record labels...) Rick Beato: The next one has me in it — it's an Olivia Rodrigo song — that I played maybe 10 seconds of the song on, and the short is 42 seconds long. Who did it? UMG. The third copyright strike is from a Hans Zimmer short. It's also UMG — it's from the Crimson Tide soundtrack. Now, what do these things say...? "Your video is scheduled to be removed in four days and your channel will get a copyright strike due to a removal request from a claimant. If you delete your video before then, your channel won't get a copyright strike." [And there's also emails like "After reviewing your dispute, UMG has decided that their copyright claim is still valid..."] I've had probably 4,000 claims, over the last 9 years — from things that are fair use. [When he interviewed producer Rick Rubin, that video got 13 separate copyright claims.] That's when I hired a lawyer to fight these. [Full-time, Beato says later.] And what he's done is he fought every single claim... We have successfully fought thousands of these now. But it literally costs me so much money to do this. Since we've been fighting these things — and never lost one — they still keep coming in... They're all Universal Music Group. So they obviously have hired some third party company, that are dredging up things, they're looking for things that haven't been claimed in the past — they're taking videos from seven or eight years ago! Slashdot reader MrBrklyn (Slashdot reader #4,775) writes on the "New York's Linux Scene" site that video bloggers like Beato "have been hounded by copyright pirates like UMG," arguing that new videos of support are a "rebellion gaining traction". (Beato's video drew 1,369,859 views — and attracted 24,605 Comments — along with videos of support from professional musicians like drummer Anthony Edwards, guitarist Justin Hawkins, and bassist Scot Lade, as well as two different professional music attorneys.) "Since there's rarely humans making any of these decisions and it's automated by bots, they don't understand these claims are against Universal Music's best interests," argues the long-running blog Saving Country Music (first appearing on MySpace in 2008). On YouTube videos, creators can freely filch copyrighted photos and other people's videos virtually free of ramifications. You can take an entire 2 1/2 hour film, impose it over a background, and upload it to YouTube, and usually avoid any problems. But feature a barely audible 8 1/2-second clip of music underneath audio dialogue, and you could have your entire podcast career evaporate overnight... People continue to ask, "Why doesn't Saving Country Music has a podcast?" Because what's the point of having a music podcast when you can't feature music? In fact, after over a decade of refusing to start one, I finally did, music free. What happened? About a dozen episodes in, someone took out a claim, and not only were all the episodes deleted, so was the entire account, even though no music even appeared on any of the episodes. I was given absolutely no recourse to fight whatever false claim had been made... The music industry continues to so colossal fail the artists and catalogs they represent, and the fans they're supposed to serve with this current system of how podcasts are handled. If everything changes today thanks to the Rick Beato rant, it would still be 15 years too late. But at least it would happen. Instead, they write, "Music labels have been leaving major opportunities to promote their catalogs and performers on the table with their punitive copyright claims that make it impossible to feature music on music podcasts and other platforms... "You aren't screwing podcasters. You're screwing artists who could be using podcasts to help promote their music. "

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"For months, tens of thousands of people around the world have been complaining Meta has been banning their Instagram and Facebook accounts in error..." the BBC reported this month... More than 500 of them have contacted the BBC to say they have lost cherished photos and seen businesses upended — but some also speak of the profound personal toll it has taken on them, including concerns that the police could become involved. Meta acknowledged a problem with the erroneous banning of Facebook Groups in June, but has denied there is wider issue on Facebook or Instagram at all. It has repeatedly refused to comment on the problems its users are facing — though it has frequently overturned bans when the BBC has raised individual cases with it. One examples is a woman lost the Instagram profile for her boutique dress shop. ("Over 5,000 followers, gone in an instant.") "After the BBC sent questions about her case to Meta's press office, her Instagram accounts were reinstated... Five minutes later, her personal Instagram was suspended again — but the account for the dress shop remained." Another user spent a month appealing. ("In June, the BBC understands a human moderator double checked," but concluded he'd breached a policy.) And then "his account was abruptly restored at the end of July. 'We're sorry we've got this wrong,' Instagram said in an email to him, adding that he had done nothing wrong." Hours after the BBC contacted Meta's press office to ask questions about his experience, he was banned again on Instagram and, for the first time, Facebook... His Facebook account was back two days later — but he was still blocked from Instagram. None of the banned users in the BBC's examples were ever told what post breached the platform's rules. Over 36,000 people have signed a petition accusing Meta of falsely banning accounts; thousands more are in Reddit forums or on social media posting about it. Their central accusation — Meta's AI is unfairly banning people, with the tech also being used to deal with the appeals. The only way to speak to a human is to pay for Meta Verified, and even then many are frustrated. Meta has not commented on these claims. Instagram states AI is central to its "content review process" and Meta has outlined how technology and humans enforce its policies. The Guardian reports there's been "talk of a class action against Meta over the bans." Users report Meta has typically been unresponsive to their pleas for assistance, often with standardised responses to requests for review, almost all of which have been rejected... But the company claims there has not been an increase in incorrect account suspension, and the volume of users complaining was not indicative of new targeting or over-enforcement. "We take action on accounts that violate our policies, and people can appeal if they think we've made a mistake," a spokesperson for Meta said. "It happened to me this morning," writes long-time Slashdot reader Daemon Duck," asking if any other Slashdot readers had their personal (or business) account unreasonably banned. (And wondering what to do next...)

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At the moment, the Spotify exodus of 2025 is a trickle rather than a flood, writes the Guardian, citing the departure of five notable bands "liked in indie circles," but not "the sorts to rack up billions of listens." "Still, it feels significant if only because, well, this sort of thing wasn't really supposed to happen any more." Plenty of bands and artists refused to play ball with Spotify in its early years, when the streamer still had work to do before achieving total ubiquity. But at some point there seemed to a collective recognition that resistance was futile, that Spotify had won and those bands would have to bend to its less-than-appealing model... This artist acquiescence happened in tandem — surely not coincidentally — with a closer relationship between Spotify and the record labels that once viewed it as their destroyer. Some of the bigger labels have found a way to make a lot of money from streaming: Spotify paid out $10bn in royalties last year — though many artists would point out that only a small fraction of that reaches them after their label takes its share... So why have those five bands departed in quick succession? The trigger was the announcement that Spotify founder Daniel Ek had led a €6oom fundraising push into a German defence company specialising in AI weapons technology. That was enough to prompt Deerhoof, the veteran San Francisco oddball noise pop band, to jump. "We don't want our music killing people," was how they bluntly explained their move on Instagram. That seems to have also been the animating factor for the rest of the departed, though GY!BE, who aren't on any social media platforms, removed their music from Spotify — and indeed all other platforms aside from Bandcamp — without issuing a statement, while Hotline TNT's statement seemed to frame it as one big element in a broader ideological schism. "The company that bills itself as the steward of all recorded music has proven beyond the shadow of a doubt that it does not align with the band's values in any way," the statement read. That speaks to a wider artist discontent in a company that has, even by its own standards, had a controversial couple of years. There was of course the publication of Liz Pelly's marmalade-dropper of a book Mood Machine, with its blow-by-blow explanation of why Spotify's model is so deleterious to musicians, including allegations that the streamer is filling its playlists with "ghost artists" to further push down the number of streams, and thus royalty payments, to real artists (Spotify denies this). The streamer continues to amend its model in ways that have caused frustration — demonetising artists with fewer than 1,000 streams, or by introducing a new bundling strategy resulting in lower royalty fees. Meanwhile, the company — along with other streamers — has struggled to police a steady flow of AI-generated tracks and artists on to the platform... [R]emoving yourself from such an important platform is highly risky. But if they can pull it off, the sacrifice might just be worth it. "A cooler world is possible," as Hotline TNT put it in their statement. The Guardian's culture editor adds that "I've been using Bandcamp more, even — gasp — buying albums..." "Maybe weaning ourselves off not just Spotify, but the way that Spotify has convinced us to consume music is the only answer. Then a cooler world might be possible."

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Intel amended its deal with the U.S. Department of Commerce "to remove earlier project milestones," reports Reuters, "and received about $5.7 billion in cash sooner than planned." "The move will give Intel more flexibility over the funds." The amended agreement, which revises a November 2024 funding deal, retains some guardrails that prevent the chipmaker from using the funds for dividends and buybacks, doing certain control-changing deals and from expanding in certain countries. The move makes the Wall Street Journal wonder what, beyond equity, the U.S. now gets in return, calling government's position "a stake without a strategy." The U.S. has historically shied away from putting money into private business. It can't really outguess the market on where the most promising returns lie. Yet there are exceptions. Sometimes a company or industry risks failing without public support, and that failure would hurt the whole country, not just its shareholders and employees. Intel meets both conditions. It isn't failing, but it is losing money, its core business is in decline, and it lacks the capital and customers needed to make the most advanced semiconductors. If Intel were to fail, it would take a sizable chunk of the semiconductor industrial base with it. At a time of existential competition with China, that is a national emergency... [U.S. Commerce Secretary Howard Lutnick] said as a shareholder, the U.S. would help Intel "to create the most advanced chips in the world." And yet the deal doesn't provide Intel with new resources to accomplish that. Rather, to get the remaining $9 billion, Intel had to give the U.S. equity. This is more like a tax than an investment: Shareholders gave up a 10th of their ownership in return for money the company was supposed to get anyway... Some of the administration's forays into private business do reflect strategic thinking, such as the Pentagon's 15% stake in MP Materials in exchange for investment and contracts that help make the company a viable alternative to China as a supplier of rare-earth magnets for products such as automobiles, wind turbines, jet fighters and missile systems. But more often, companies recoil from government ownership... Though the U.S. stake dilutes Intel's existing shareholders, its stock has held up. There could be several reasons. It eliminates uncertainty over whether the remaining $9 billion in federal funds will be forthcoming... [B]ecause Washington has a vested interest in Intel's share price, investors believe it may prod companies such as Nvidia and Apple to buy more of its chips. But that only goes so far, the article seems to conclude, offering this quote from an analyst Bernstein investment research. "If Intel can prove they can make these leading-edge products in high volume that meets specifications at a good cost structure, they'll have customers lined up around the block. If they can't prove they can do it, what customer will put meaningful volume to them regardless of what pressure the U.S. government brings to bear?" CBS News also notes the U.S. government stake "is being criticized by conservatives and some economic policy experts alike, who worry such extensive government intervention undermines free enterprise." Thanks to Slashdot reader joshuark for sharing the news.

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